"Glam and glitter riot tattoo grrl Bleu attracts all attention, sonically as well as visually. She swirls and scintillates on 'I Don’t Love You Anymore', while cursing idiots who hate the LGBTQ+ community, who hate tattoos, and who actually hate anybody who doesn’t live by their rules.enjoy this jangly earworm that sticks as first-class glue and reaches an aural orgasm every time the chorus pops up.Bleu‘s vox adrenalizes and vitalizes. Her vivaciousness is contagious. This pumped-up pop gem is contagious." - Turn up the Volume

"Lots of bands are making colorful nostalgia-tinged pop at the moment, but few go full on prismatic in the way Chateau Chateau manages. - YabYum music and arts

"Chateau Chateau is a sparkle-fest indie pop band from Tucson. So far they've penned tightly wound dance pop, equal parts retraint and power, with all seven slender players moving into one almighty groove. And they snap, clap and whoop their songs in sweet gold lame, club kids with record collections crammed with Sparks, Byrne, Bowie, Of Montreal, Kylie Minogue, Tower of Power and Electric Six." - Tucson Weekly

“Recalling the vibes of bands like Walk The Moon and Talking Heads, Crisis Party kicks off with a solid beat and bass line which will get you moving immediately.” - Hype Hype 

“Anywho, the band is fun as heck in this song. Again, it is a ‘contrast’ within a song, with a serious subject put into a ‘fun’ packaging – the single does its best to help add to the conversation about struggles of an individual defining their personality in the face of gender roles and societal expectations.” - comeherefloyd 

“Chateau Chateau sets some kickback synths to the serious struggle for individual identity in a changing social environment, especially on the gender-fluid-front, with “Crisis Party” and leaves me asking myself, “Why not turn your crisis into a party?” - YabYum music and arts 

“‘Evidence’ is that kind of euphoric pop cracker that gets under your skin from the get-go. Exciting guitars have an instant impact on your body’s mobility, while enticing vocals and spirited harmonies add an upbeat effect of joyousness. The colorful members of the band look like they are solid party animals and they provide the fuel to join them on the dance floor.”

- comeherefloyd 

“Their sound morphed to a glimmering, synth-based hook-driven sound that recalls A Flock of Segulls and others. Interestingly, the act’s latest single “Evidence” is a crowd-pleasing and anthemic song centered around a buoyant bass line, shimmering synths and Milliser’s crooned vocals. However, underneath the dance floor friendly vibes, the song’s narrator is in the midst of a mental breakdown, giving the song an underlying bitter irony.” - The Joy of Violent Movement 

“The EP includes their previous singles Evidence, Driving In Circles and Burn Me Alive, that were featured on a bunch of Spotify Playlists and iTunes Charts, got airplay in the US, Canada, Germany a.o. and brought the band critically acclaimed international press. The track Times Are Changin’ is the featured album focus single of the EP. It’s a head bobbing pop-anthem with the Chateau Chateau distinctive cynical undertone.” - WithGuitars

“With clamoring beats and strident guitar strokes, the amply come-of-age single (Times Are Changin’) dives right into a pastel colored decadence of love and loss, where a message of recovery and return glory is in the cards.” - comeherefloyd

“If you listen to the song its entirety, you’ll find that Chateau Chateau isn’t just another indie pop rock band but rather one that defies the bounds of genres.” - Abduction Radiation